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38.
FIODOR ALEXEYEV. 1753/4-1824
VIEW OF PALACE EMBANKMENT FROM THE ST. PETER-AND-PAUL FORTRESS. 1793
Oil on canvas. 71 x 107.5 Signed at the right, below the Fortress wall: ф. алексъевъ 1793 [F. Alexeyev 1793] The reverse bore a label with number 429; also inscription in Indian ink: ГЭ 2009, 4/63 [SH 2009, 4/63] and in chalk: Нз 1801
Inv. No 4925
There are two replicas of this composition with a slightly different title: View of St. Peter-and-Paul Fortress and Palace Embankment. One of them, identical to the tost one, executed in the same year and signed by the painter, was received from the collection of Yusupov's family and is now kept in the Arkhangelskoye Palace Museum which also possesses a pencil sketch of the composition (to be found in the 1827 Album of manuscripts of the Arkhangelskoye Gallery). The SRM houses the 1799 variant-replica of the picture (oil on canvas. 71.5 x 109; Inv. No Ж-5048, received in 1906 from S. Yatsenko). Provenance: Received in 1930 from the State Hermitage, Leningrad Reproductions: the replica from the Arkhangelskoye Mansion Museum was published in A. Fiodorov-Davydov, Fiodor Yakovlevich Alexeyev, Moscow, 1955, between pp. 24 and 25; reproduced in the present Catalogue is the before-mentioned illustration. References: Boikov, Guidebook, p. 10; A. Fiodorov-Davydov, Fiodor Yakovlevich Alexeyev, Moscow, 1955, p. 115, between pp. 24 and 25, illustrated
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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39.
PIOTR BASIN. 1793-1877
SOCRATES DEFENDING ALCIBIADES DURING THE BATTLE OF POTIDEYA. Sketch. 1826-1828
Oil on canvas. 37 x 47 Signed bottom right, in the corner: Басин П. [Basin P.], also inscribed top left, in the corner: 87; stamped on the reverse with the Academy stamp: A. X., № 1684, опись И. Ш. [A. A. No 1684, Inventory И. Ш. (within rectangular border)]
Inv. No 6940
In 1831, P. Basin was made Academician for the picture Socrates Defending Alcibiades during the Battle of Potideya (1828). Known are two sketches of the same title: the Kirov Regional Art Museum named after A. M. Gorky possesses the oil sketch, while the STG houses the graphic one. The SRM has a few preparatory drawings for the picture (p-11311, p-11315, p-11318) as well as a print of the contour engraving executed by K. Afanasyev after the present painting (Inv. No Гр. 34594). Provenance: Received in 1931 from the Academy of Arts. References: Boikov, Guidebook, p. 15 Reproduction: Negative No C-2142 in the photograph library of the SRM
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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40.
FIODOR BOGNEVSKY (BAGNEVSKY). Active in the second half of the 18th-early 19th century
PORTRAIT OF GRAND PRINCESS ALEXANDRA PAVLOVNA Replica of the 1796 original by V. Borovikovsky housed in the Pavlovsk Palace Museum
Oil on canvas. 68 x 55 Bottom left: Федоръ Богневскiй 1797 года. (Fiodor Bognevsky of the year 1797]; on the reverse bears inscriptions in black: P. 210. КД and В. К. Александра Павловна В. К. Екатеринъ Михайловнъ. [G. P. Alexandra Pavlovna to G. P. Yekaterina Mikhailovna]; inscribed on the stretcher in black: P209-31
Inv. No 4933
The half-length portrait of Grand Princess, who is given a three-quarter turn to the left. Her arms are lowered, the fair hair divided by straight parting are curled, her head is crowned with a wreath of pink roses. She has long ear-rings with blue stones in her ears. Her costume consists of a white dress with pink bolero and a light white scarf around her neck and breast. Fastened on the bolero is the star of the Order of St. Catherine. She is also wearing the miniature portrait of Empress Catherine the Great. The right-hand background is painted with tree foliage. At the left is a patch of light-coloured sky. Provenance: Received in 1929 from the SH, Leningrad References: Guidebook of the Circulating Art Exhibition, Leningrad, 1939, p. 6; Boikov, Guidebook, p. 9 Reproduction: Negative No C-6896 in the photograph library of the SRM
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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41.
KARL BRIULLOV (?) 1799-1852
A TURKISH WOMAN. 1830s-40s
Oil on canvas. 69.5 x 81.5 Signed left, below centre: K. [K. Briullov]; the upper left portion of the stretcher bears a fragment of label, inscribed: Мойка [Moika]; also in blue pencil: P. M. 3519 and a little bit further on: Ерм 111/30; inscribed bottom right in red paint is number 3519a-
Inv. No 4933
Provenance: Received by the SRM in 1927 References: Boikov, Guidebook, p. 16, illustrated; E. Atsarkina, Karl Pavlovich Briullov: His Life and Work, Moscow, 1963, p. 354 Reproduction: The picture is reproduced after the photograph Kept at the photograph library of the SRM Provenance: Received by the SRM in 1927 References: Boikov, Guidebook, p. 16, illustrated; E. Atsarkina, Karl Pavlovich Briullov: His Life and Work, Moscow, 1963, p. 354 Reproduction: The picture is reproduced after the photograph Kept at the photograph library of the SRM
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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42.
ALEXEI VENETSIANOV. 1780-1847
HUNTER
Oil on canvas. 46.5 x 37
Inv. No 1737
The half-length portrait of a young hunter. The model is given a three-quarter turn, his shoulders turned to the left, the face is slightly turned to the right. In front of himself with both hands he is holding a fowling-piece. The hunter is dressed in a light-grey armyak (peasant's coat). Showing from under the coat is a white shirt decorated with a design embroidered in red at the neckline. He has a green cap with grey flaps upon his dark bobbed hair. The model is set against a green background. Provenance: Received in 1918 from L. Mikhailova Reproduction: Negative No C-2959 in the photograph library of the SRM
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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43.
ALEXEI VENETSIANOV. 1780-1847
A GIRL
Oil on canvas. 48 x 36 Inscribed on the reverse in black: P. 96-7. Ар. Д. P. 96/1452 (P. 96 зачеркнуто) [P. 96-7. Ар. Д. P. 96/1452 (P. 96 is crossed out]; bears number 53 on the stretcher painted in black; also bears a label with two sealing-wax stamps.
Inv. No 6601
The half-length portrait of a peasant girl, represented en face. Her light-brown hair is divided by straight parting, her head is winded round with a white shawl in blue stripes. She is wearing a white blouse, with broad sleeves, and a light-coloured patterned sarafan (peasant dress), with narrow shoulder-straps. The girl's bare neck is decorated with a string of red beads. The model is set against the background of the blue sky. Provenance: Received in 1897 from the Imperial Hermitage References: Boikov, Guidebook, p. 19 Not reproduced
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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44.
GEORG-CHRISTOPH GROOTH (?). 1716-1749 Active in Russia from 1740/41? to 1749
PORTRAIT OF AN UNKNOWN LADY
Oil on canvas. 80 x 64.5
Inv. No 3131
The half-length portrait of a lady, who is positioned almost en face. She is wearing a dress of golden brocade, trimmed at the neckline with lace; thrown over her right shoulder is a red cloak with blue lining, her powdered hair is decorated with a spray of flowers set with precious stones. Provenance: Received in 1926 from Obolenskaya's collection. References: Boikov, Guidebook, p. 7. No reproduction
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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45.
JOHANN-FRIEDRICH GROOTH. 1717-1800 Active in Russia from 1743 to 1800
BROOD-HEN AND CHICKENS. 1781
Oil on canvas. 81 x 125 Bottom left: F. Fr. v. Grooth. P. an... 1.81
Inv. No 4934
Provenance: Received c. 1930 from the collection of A. Rumanov, No 84; formerly in A. Trubnikov's collection. Entered the SRM as the work by an unknown painter. References: N. Vrangel, "Foreigners in Russia", Stariye Gody [The Old Years Magazine], 1911, July-September, p. 41 (illustrated; ascribed to Johann-Friedrich Grooth); Boikov, Guidebook, p. 5 Reproduction: Reproduced after Stariye Gody, 1911, July-September, p. 41
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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46.
YEGOR KOVRIGIN. 1819-1853
ACHILLES AT THE BODY OF PATROCLUS. First half of the 1840s
Oil on canvas. 143 x 178
Inv. No 2822
Provenance: Received in 1925 from the Mansion of Terlikov's family References: Boikov, Guidebook, p. 14, ill. Reproduction: Reproduced in the present Catalogue is the illustration published in Boikov, Guidebook, p. 14
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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47.
LEV LAGORIO. 1827-1905
STARAYA LADOGA. 1847
Oil on canvas. 44 x 56 Signed and dated bottom right: Лагорiо 1847 [Lagorio 1847]. The reverse of the canvas bears label: № 16 Лагорiо Пейзажъ въ золотой рамъ Собствен. Е. Г. Швартца 272- 133 1918 20. VIII |No 16 Lagorio Landscape mounted in a gilt frame. Property of Ye. Schwarz, 272-133 1918 20.VIII]; signed on the stretcher in blue pencil is number Шв-16/б-
Inv. No 4459
Provenance: Received in 1918 from the collection of E. G. Schwarz, Petrograd References: Boikov, Guidebook, p. 37 Reproduction: Reproduced in the present Catalogue is a photoprint from the photograph library of the SRM Provenance: Received in 1918 from the collection of E. G. Schwarz, Petrograd References: Boikov, Guidebook, p. 37 Reproduction: Reproduced in the present Catalogue is a photoprint from the photograph library of the SRM
Book: THE STATE RUSSIAN MUSEUM
Section: DEPARTMENT OF PAINTING OF THE 18th AND THE FIRST HALF OF THE 19th CENTURY
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